- Bahiyyih Nakhjavani. Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings (1982). — Imagery and metaphors from the Baha'i Writings guide the appreciation and creation of art. They demo...
- Ron Price. Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White (2002). — A study of White's verse with a short biography and an analysis of the Baha'i Faith.
- Bahiyyih Nakhjavani. Exemption (1993). — Thoughts on Baha'u'llah's meaning in "exempting" women from certain Baha'i obligations, especially p...
- Bahiyyih Nakhjavani. Fact and Fiction: Interrelationships between History and Imagination (2000). — On the tension between "fact" and "fiction," between objective history and our relative and subjecti...
- Bahiyyih Nakhjavani. Greatest Holy Leaf, The (n.d.).
- Mary A. Sobhani. Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani's The Woman Who Read Too Much, A (2015). — Nakhjavani’s historical novel includes metaphors that underscore a link between the secular and th...
- Elizabeth Shema. Response, by Bahiyyih Nakhjavani: Review (1986).
- Carolyn See. Saddlebag, The: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review (2000-09-15).
- Phyllis Sternberg Perrakis. Saddlebag: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review (2002).
- Bahiyyih Nakhjavani. Silences of God, The: A Meditation (2014). — While the Word of God dominated the history of religion, contemporaries question the orthodoxy of la...
- Bahiyyih Nakhjavani. Spiritual Inheritors, The (1987). — Reflections on growing up Baha'i, and a report on a conference about capturing the power of the Six ...
- Mary A. Sobhani. The Woman Who Read Too Much: A Novel, by Bahíyyih Nakhjavani: Review (2018).
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